I must admit, I’m not a huge fan of Starstruck, GMA 7’s reality artista-based search. In fact, I haven’t watched a single episode of this reality TV show in its entirety but I am familiar with some of its alumni – Jennylyn Mercado, Mark Herras, LJ Reyes and Katrina Halili.
Things may change soon, though, since I just learned that there are several Mindanaoans in the top 60 of Starstruck’s latest season, Starstruck V. Check out the names in bold below:
Adam Santos Hussein, 22, Pasig City
Edward Benosa, 19, Quezon City
Shereef Ibrahim, 19, Quezon City
John Paul Joseph Cadayona, 20, Las Pinas
April Ian Jamin, 19, Cebu City
Jacob Sales, 19, Bacolod City
William Zarib Papageorghiou, 18, Marikina City
Aldous Erwin Santiago, Bulacan
Luis Hontiveros, 17, Marikina City
Jetrix Pasamanero, 21, Sarangani
Marlowe Pamintuan, 16, Muntinlupa City
Piero Vergora, 16, Cebu City
Rollo Espenos III, 17, Bacolod City
Michael Joseph Navarro, Quezon City
Enrico Raphael Nacino, 22, Pasig City
Ian Batherson, 20, Mandaluyong City
Shane Parminter, 16, Manila
Jeffrey Balicad, 20, Valenzuela City
Daniel Cuevas, 20, Antipolo City
Richard Falukerson Jr., 18, Laguna
Darylle Francis Salvador, 17, Bulacan
Mark Jason De Jesus, 18, Pampanga
Steven Joseph Silva, 22, Davao
Tristan Melliza, 16, IloIlo
Enrico Lorenzo Pineda, 19, Quezon City
Ranty Portento, 22, Quezon Province
Daniel Edward Reyes, 18, Manila
Kenyn Padalla, 22, Baguio City
John Christopher Gatus, 16, Las Pinas
John Christian Gatus, 16, Las Pinas
I just knew that it would only take a matter of time before Joey de Leon, one of the hosts in the GMA 7 noontime show “Eat Bulaga,” gives his (violent) reaction on the controversial decision of Willie Revillame to have the live feed of President Cory Aquino’s cortege from La Salle Greenhills to Manila Cathedral removed. The cortege was aired simultaneously with Revillame’s noontime show “Wowowee” aired via ABS CBN Channel 2.
We all know that Joey and Willie aren’t exactly “good friends” so I guess this “parinig” that he made, along with co-host Vic Sotto, is but expected of Joey de Leon. Check out the video below.
Notable line — “ang baboy, kahit pagsuotin mo pa yan ng ginto, baboy pa rin”
OUCH.
Don’t we just hate it when people, especially fellow Mindanaoans, are deprived of what’s rightfully due them? And don’t we just hate it when someone denies that a wrong has been done even when it’s so blatant? Just take this case of Mindanaoan artist Gary Granada who alleges that GMA Kapuso Foundation took advantage of his work. GMA Kapuso Foundation allegedly used his work without proper recognition and more importantly, payment or royalties. According to Gary, who was born in Maco, Davao (Compostela Valley), GMA Kapuso Foundation took advantage of his work and the said foundation’s lawyer even had the audacity to say that he merely changed a word or two.
Worse, the camp of GMA 7 alleged that they don’t owe Gary anything since the end product was a result of “collective work.” A legal representative of GMA also stated that the foundation had “nothing to do” with the hiring of the song composer.
I have met Gary Granada a number of times. I make it a point to visit Conspiracy Garden and Bar Cafe whenever I’m in Manila (he’s a board member of the group that owns this place and sometimes performs there) and even during my Manila job days, my group was able to hire him to sing in some of our events. I have always, always found him pleasant to deal with, smart, funny and very approachable. He’s a well respected composer – a very talented one – and definitely one of Mindanao’s pride and joy. So you could just imagine how difficult this must be for him. For someone who has been in the business for 30 long years, this must be a big blow – an insult to his talent and professionalism.
You could also just imagine the great lengths he probably had to go through before he could muster enough guts and present his case to the masses – via the power of the Internet, I must add. Which brings me to think: who will win in this case? GMA Kapuso Foundation (that’s backed by one of the country’s large broadcasting corporations and part of the mainstream media GMA 7) or Mindanao’s own Gary Granada (who’s using new media to prove his point)?
Listen to fellow Mindanaoan Gary Granada as he fights for his rights here: (if you’re as passionate as I am on issues involving Mindanaoans who get taken advantage of, you might just be as emotionally affected as I am right now)
Original album review written last August 31, 2007. The author of this piece (who is also the one behind Mindanaoan.com) is a long-time supporter of award winning Filipino band South Border. Jay Durias, a certified Dabawenyo, is South Border’s musical director and keyboardist. Jay’s solo album, “Songs I Grew Up With,” is a project album.
Admit it – you’ve always wondered how South Border keyboardist and musical director Jay Oliver Durias would fare as a solo artist. After all, he’s largely considered as “the main man” behind the highly successful band, having composed and arranged most of South Border’s hits including “Rainbow,” “Love Of My Life” and the favorite of many, “Kahit Kailan,” and having sung the well-loved ballad “Habang Atin Ang Gabi.” The silent musical genius behind a lot of hits including “Ikaw Nga” (OST – Mulawin, GMA 7) and “Di Na Nag-iisa” (OST – Darna, GMA 7), you can’t help but think – when will someone like Durias, who has the soulful voice, the boyish charm and the unquestionable talent ever try to do something on his own, away from the image of South Border and just as himself? Because, really, South Border may have had front liners but fans and music critics alike have always recognized and appreciated him and his work. Come to think of it – while it’s difficult to imagine South Border without Jay Durias, it’s not difficult to imagine a Jay Durias without South Border – the man has what it takes to produce phenomenal hits – there’s just not been a chance for him to fully showcase his gift.
Fortunately, that chance is here…NOW.
Durias is finally giving the music world a touch uniquely his own via a solo album dubbed “Songs I Grew Up With” (produced under new label Open Mic Records, distributed by Star Records). And, no, this project should not be misconstrued. The solo project has the full blessings of his band mates and is in no way an indication that he’s leaving the band.
A collection of carefully chosen ditties which have, in one way or another, made quite an impact in Durias’ young life, “Songs I Grew Up With” contains 10 tracks – “Do That To Me One More Time,” “ Light and Shade,” “Him,” “Reward,” “Birthday Song,” “You Can Do Magic,” “My Cherrie Amour,” “Goodnight Girl,” “Sa Hangin” and the carrier single, “I’ll Have To Say I Love You In A Song.”
Before you dismiss the album as just another bunch of chopped covers, one must realize that these songs represent memories. Hence, unlike other albums that either try to match the original artists’ high notes or try to focus on the songs’ commercial appeal, the songs in this album are stamped with candor, warmth and individuality. Because Durias sings them honestly and from the heart, the songs become – different. Every song has new details and Durias’ genuine artistry reflects on each.
“Songs I Grew Up With” boasts of a lot of attitude, beautifully re-arranged tunes and solid, powerful vocal varieties. The album can be considered a journey of sorts. From the days when Durias was still feeling his way in the world to the days of pure gratitude, the listener is transported to the happy, sad, upbeat and thankful days of one of Davao City’s pride and joy.
While the entire album generally has a magical feel to it, one should not discount the fact that each and every song has a distinct touch.
The carrier single, “I’ll Have To Say I Love You…,” for instance, is one of the pleasant surprises in the album. Trained and untrained ears alike may probably never know what’s coming, judging by the first few notes of the song. Then, a few seconds later, it becomes a light bulb moment – you can’t but mutter to yourself, “how’d he do that? Now that’s good music.” The carrier single is peppered with spice and everything nice – it embodies an album that you know will underscore Durias’ silent but laudable gift.
“Do That To Me…” is another pleasant surprise in the album. A few seconds into the melody and one will eventually realize that the ditty has evolved into something rich and playful. The beautiful thing about this is that it hasn’t totally veered away from its classic feel that’s reminiscent of sweet love.
“My Cherrie Amour” has a nice twist, too. It has become sexier…more provocative…but with a whiff of tenderness. Listeners will love the easy-on-the-ear vocals and the different take on the melody – it’s as “lovely as a summer’s day!”
Another noteworthy track is “You Can Do Magic,” which can most likely be an easy favorite of many. Durias laced the song with amazing, danceable flavor – almost salsa-like. Who would ever think that the inclusion of doo doo doo’s could make this ditty more interesting? One cannot help but wonder how Durias ever thought of re-interpreting that best-loved standard and even making it into a distinct star of a song on its own.
Let it be emphasized, however, that “Songs I Grew Up With” is not just a showcase of Durias’ arranging skills – although for sure industry experts will agree that the album can and has now set the rules, if not raise the bar, in terms of musical arrangements. Vocals-wise, the album can be considered a treasure trove of sorts.
“Light and Shade” and “Him” highlight Durias’ poignant, intriguing and beautiful voice that can only be compared to artists such as John Legend and Brian McKnight. “Birthday Song” is sexy, sweet and interesting. “Reward,” which is incidentally a praise song, features his heart-wrenching rendition of a love and of a longing. It can easily be a favorite of a lonely soul, who wants to reiterate the promise of redemption and faith. Durias’ vocal prowess is also showcased via the emotional rendition of “Goodnight Girl.” If one listens to it deep into the night, it should not be a surprise if tears come soon. The only original and Filipino song in the album, “Sa Hangin,” is a certified blockbuster hit in the making. It has already gained quite a following, after its initial airplay in several radio stations. “Sa Hangin” is a fitting finale of an album that is sure to not only bring listeners down to memory lane or to a sentimental journey but also to let them take a peek inside Durias’ colorful life.
“Songs I Grew Up With,” with all its artful arrangement, smooth vocal power and meticulous choice of significant tracks, has all the ingredients of hard work, talent, ingenuity and yes, commercial success. The quality of the production is obviously high and loyal fans will have their glorious fill of Durias’ great musicianship. Seasoned musicians and people who have yet to succumb to Durias’ spell will enjoy listening to this album. It’s a tranquil, introspective ride anybody would be happy to take.
Lastly, listeners will cherish this album as it reflects a new creative direction for one of today’s most admired musical geniuses. “Songs I Grew Up With” is a celebration…a reminder that once in a while, someone like Durias comes along, shakes things up in a good way and lets us realize that yes, good music is still very much possible.
Get yourself a copy of “Songs I Grew Up With.” It’s money well spent. It’s a toast you can’t help but raise a glass to. (Maria Irene S.A.)

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